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  • Amit Jadhav

Dono (2023) Movie Review: Two Missed Opportunities



The name Rajshri Productions conjures images of wholesome family dramas, steeped in tradition and values. With its latest offering, "Dono," the Barjatya family attempts to navigate the waters of modern romance while retaining its signature touch of family-centric storytelling. However, in its quest to strike a balance between tradition and modernity, "Dono" falls short of its potential, delivering a lukewarm narrative that fails to resonate with the audience.


At the heart of the story lies the blossoming romance between Dev (Rajveer Deol) and Meghna (Paloma Dhillon), two individuals brought together by their mutual friends' impending wedding. Dev, a struggling entrepreneur, harbors unrequited love for the bride, Alina (Kanikka Kapur), while Meghna is fresh off a breakup from her long-term boyfriend, Nikhil (Rohan Khurana). Amidst the festivities and preparations for the wedding, Dev and Meghna find solace in each other's company, their shared experiences and emotional turmoil forging a connection between them.


The film's strength lies in its picturesque portrayal of a grand Indian wedding, capturing the vibrant colors, lively traditions, and the palpable excitement that surrounds such celebrations. The cinematography, by Chirantan Das, seamlessly blends the grandeur of the wedding festivities with the intimate moments between Dev and Meghna, creating a visually appealing experience.


However, the film's narrative flaws overshadow its technical merits. The screenplay, penned by Avnish S. Barjatya and Manu Sharma, struggles to maintain a consistent pace, with the first half meandering aimlessly through predictable plot points. The characters, too, lack depth and dimension, their motivations and emotions often unclear. Dev's unrequited love for Alina feels underdeveloped, while Meghna's emotional turmoil remains largely unexplored.


The film's music, composed by Shankar Ehsaan Loy, fails to make a lasting impression, with the songs blending into the background without leaving a memorable mark. The background score, however, complements the film's emotional tone, adding a touch of melancholic beauty to certain scenes.


The cast, primarily comprising newcomers, delivers performances that mirror the film's overall mediocrity. Rajveer Deol, in his debut role, exudes a certain charm but struggles to convey the emotional complexities of his character. Paloma Dhillon, as Meghna, brings a quiet intensity to her role, but her performance is hampered by the character's underwritten nature. The supporting cast, including Kanikka Kapur and Rohan Khurana, are largely forgettable, their characters lacking the depth to make an impact.


"Dono" is a film that tries to straddle two worlds, the traditional values of Rajshri Productions and the modern sensibilities of today's youth. However, it fails to find its footing in either, resulting in a narrative that is neither deeply rooted in tradition nor truly modern. The film's strengths, including its visual appeal and occasional moments of emotional resonance, are ultimately overshadowed by its narrative flaws and underdeveloped characters.


Rating: ⭐⭐ 1/2 out of 5 stars

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